Ocad ryan whyte

Doi: Fashionably bound and worn Fashionably bound and worn on the person, they transformed the space of fashion into a zone of spectatorship within which women operated as equivalent to their male counterparts as authors, subjects of art, critics, and audiences.

Strobel, eds. Materializing Gender in Eighteenth-Century Europe. Michaela Reichel and Hans Thomsen. Exhibiting Enlightenment: Chardin as tapissier more. More Info: Eighteenth-Century Studies More Info: Journal of Curatorial Studies 2.

Studio As History more. After the failure of the twentieth century's avant-gardes to liberate art from the confines of class and institution, it is perhaps necessary to re-examine the structures of those very confines. A work of speculative historiography, this essay ranges among Greek history, Scholasticism, Romanticism, and phenomenology.

Call For Papers. In the context of art-historical debates over globalization and the post-global, and art histories not structured by the Western hierarchy of genres, what can be learned from landscape? The collapse of the biosphere, resurgent nationalisms, the ubiquity of surveillance, migration and statelessness reflect the political dimensions of landscape in the 21st century just as they prompt the rethinking of past landscapes.

How have evolving epistemologies and disciplinary frameworks for understanding landscape shaped its artistic manifestations? What challenges do concepts of the anthropocene or the posthuman pose for understanding landscape? What are the afterlives of landscape-concepts such as the sublime, the picturesque, the pastoral? Papers exploring methodologically innovative approaches to landscape are particularly welcome.

Submissions are welcome for papers to be given in either French or English; they must be sent to the session chair Ryan Whyte [ rwhyte faculty. Submissions must include: the name and email address of the applicant; the applicant's institutional affiliation and rank; the paper title; an abstract words maximum ; and a brief bio words maximum. Submissions must be provided as an editable document, preferably in MS word.

Proposals may be submitted by current members or non-members of UAAC. Jul 22nd, By far my favorite lecture prof yet. His lectures are heavy with information, but he manages to make it easy to follow along and brings a sense of humor to them. Excellent experience, wish he taught more lectures!! Mar 4th, Really engaging, you really learn, I love to take notes in his class, everything he says is helpful and clear, absolutely everything, you read over your notes and they are clear as water, thats how good of a teacher he is.

He knows his stuff and hopefully he teaches more courses! Dec 21st, A really great art history prof. He works hard to make lectures fun, and usually stops a little bit early, especially if he notices that people aren't really engaged.

Stops every so often to answer questions and always does with a lot of detail and clarity. And he gives a complete outline for the exam including a list of possible essay questions. May 13th, Textbook: No. Amazing professor. Actually made the class very interesting. His dry humor was absolutely the best thing to hear during lectures. Spoke with much clarity and smooth transitions into further topics. My favorite history professor thus far! Feb 19th, Fantastic lectures.

Very thorough. Provides material that makes studying a breeze. Dec 12th, Textbook: Yes. Excellent Prof. Def loves art history and thus makes it really easy to learn from him.

Responds to questions promptly and with abundant information. Love his sense of humor and he is a very fair prof. I hope I have him next semester!! Mar 16th, Jan 12th,