When was le centre pompidou built

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This was an entirely new architectural language, thought up by the winners of the design competition, Richard Rogers from Britain, who went on to design the landmark Lloyd's building in the City of London, and Renzo Piano of Italy, now best known for The Shard in London and the new Whitney Museum of American Art in New York. Their new Parisian arts centre wasn't universally liked. Controversial or not, the public voted with their feet. In its first year a building designed to welcome 5, visitors a day found itself hosting five times that.

Most came for the major exhibitions, but the vast new public library was also an instant hit. After its 20th anniversary in , the Pompidou Centre closed for an extensive renovation lasting three years. Internal areas were increased by more than 8, square metres and spaces were redeveloped to allow for more works to be exhibited and for more dance, theatre and music to be performed.

There's now a new space for children, with two exhibitions each year. Even those with no interest in art love the Pompidou Centre. A major competition for ideas and designs was launched, and architects from all over the world were invited to participate and there ended up being different competitors from 49 different countries.

After much deliberation by a panel and chaired by the architect and engineer Jean Prouve, the project chosen involved three different architects, two of which were Italian by the names of Renzo Piano and Gianfranco Franchini and the third was an English architect called Richard Rogers. Even though there was a lot of controversy about the looks of the building during the s when it was under construction, often being characterised as to the likes of an oil refinery by critics, yet today it meets with approval, winning the hearts of Parisians, and is now considered one of the emblematic buildings and a historical monument of the 20th century.

At ground level the Centre Pompidou has a double-height space that contains all the large publicly-accessible areas. Visitors travel from the ground level up a giant diagonal escalator, on the facade facing the square, to external corridors and viewing platforms. These walkways and escalators are designed to create a dynamic ever-changing facade.

So we wanted to practice that as theatre. Since it was complete the Centre Pompidou has had more than million visitors and it is now celebrated as one of Paris' more important cultural landmarks. However, the radical design of the building has not always been as popular, and was initially met with hostility — described by French newspaper Le Monde as "an architectural King Kong". Rogers has even recalled how one passerby struck him with her umbrella when he revealed himself as the designer.

The shock of the new is always rather difficult to get over.